One day in the tunnel, when I was listening to Thoth while we were singing "Anya," he sounded like a baroque countertenor; but our rhythm, vocal whooping and roaring sounded so tribal, that I called our music “Tribal Baroque”.
A combination of opposites: raw, howling singing, feet stomping rhythm, faces painted, breasts flopping, wild original costumes, ecstatic spiritual dancing combined with highly developed musical phrases, perfect pitch, Bulgarian-style operatic soprano and countertenor vocals, and classically influenced violin.
Thus the name, "TRIBAL BAROQUE."